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Monthly Archives: April 2013

Okay, so I’ve got to clear something up right now. Before writing this post, I was rummaging around on the internet searching for “Maneater” without the name of the artist, and VIOLA! No mention whatsoever of Hall & Oates. Instead, I get a search result pointing me to Nelly Furtado. I shrugged my shoulders and went for it – A mistake that would cost me 4 minutes of my precious life. The song was horrible! It wasn’t even *gestures with fingers to show minuscule size* THIS close to the original! Anyways, I closed it down and headed straight for the review, and here I am! So, let’s get started!

Hall & Oates (Band)

Hall & Oates [L-R]: Daryl Hall, John Oates

History:Maneater” is a song produced by the ‘quite’ famous duo “Hall & Oates” (Daryl Hall & John Oates) for their 1982 album titled “H<sub>2</sub>O“. The song went on to reach the Number One spot in the Billboard Hot 100 Singles charts (December 18, 1992). It stayed on the ‘Numero Uno’ position for four weeks, surpassing their previous record of three, courtesy of Kiss on My List. There’s only one version of this song, viz. the Minute 25 Second album version.

Review: The song starts off with the lead instrument – The bass guitar. Oh, you’re pretty shocked, huh? Well, it’s the truth. The bass guitar is used as the main lead instrument. The secondary ones being the saxophone, the synthesizer and the acoustic guitar. Now that you know, let’s start again. The song starts off with the lead bass guitar, which meets a synthesizer effect (00:11) and finally meets with the saxophone at 00:27. I have to say, the saxophone and the bass guitar make an exceptional pair, and they have worked wonders for this song. The lead melody is extremely catchy. In fact, if you just listen to the instrumental version of this song (Hard to find off the internet) you’ll be tapping your toes to this tune all day. It’s an awkward composition – a mixture of Classic, Jazz, Blues and Pop. But the genres  seem to have matched perfectly, and given a brilliant output. Daryl initiates the vocals at 00:43, and I have to say, he has a terrific voice- Deep, smooth and crisp. His voice suits the background rhythm perfectly. The beats this song contains are on the faster side, but still seem to keep the momentum of the song at a slow pace. The first chorus starts at 01:27, the word ‘Maneater’ being heard for the first time. It loops twice, and goes in a brief instrumental interlude consisting of a couple of perky synthesizer effects. A couple of seconds later, the second stanza begins. The tempo of the song remains unchanged, which really adds to the effect it has on us. The song may seem to be on the slower side, but you can never get enough of it. For example, when I cycle, it’s my favorite song to listen to. The beats are fast, but the song is slow enough to keep you wanting more. The chorus starts for the second time at 02:15, and goes on till 02:36. The chorus does contain some quirky lyrics, “She’ll chew you up” being one of the most significant ones. That is, until you watch the Music Video of the song. And by God, it is hilarious! The lip sync is totally disastrous, and Daryl Hall’s onscreen phobia is more than noticeable. But hey, those were the 80’s. As long as there was music good enough to tap your toes to, anything could be forgiven. (And yes, I’ve kept the reason why “She’ll chew you up” a secret. Go watch the video for yourself and find out!) I have, as usual, provided a link for you. Getting back to the latter part of the chorus comes my favorite part – The sax solo. It starts at 02:43, and keeps your jaw hanging till 03:26. It takes you on a roller coaster ride from highs to mids, mids to lows and all over again. The chorus begins for the last time after a long “Ooooh” from John and it loops itself four times, Daryl adding some pieces of vocals in between, including that awesome “The Woman Is Wild, Oooh” part. The loop starts to fade, and the song gradually ends at 04:25.


Lyrics For “Maneater”

Download Link For “Maneater” (Right Click On Link, Click “Save Link/Target As”)

Link For “Maneater (Official Music video)”


Album Art

“Maneater” is a song from Hall & Oates’s 1982 album titled “H2O”


Okay, before you people whip out your belts and start walking towards me, I need to clear up something. The reason I wasn’t active on my blog was because I had my final semester exams (which lasted over a month) and the fact that I had to fly to Denmark to meet my grandparents. So here I am, a month and a half later, starting my review session again! I’ve got a whole bunch of beautiful songs most of you probably mustn’t have heard about. Now, if you’ve all calmed down, I’d love to start straightaway!  

The first time I heard this song was in 2013, when I saw “Zero Dark Thirty“. (an exceptional film, by the way) The song plays in the car of the US military officials who try to imitate Saddam Hussein. As soon as I heard the music, I was enchanted. Such a buttery smooth voice, such delicate vocals, and oh such romantic lyrics. My instinct? Pause the movie, Google the song and download it! “If You Leave Me Now” is a brilliant piece of art in the form of music, courtesy Chicago. So, without any further ado, let’s begin!

Chicago (Band)

Chicago [Random]: Howland, Pankow, Champlin, Parazaider, Imboden, Loughnane, Scheff

History:If You Leave Me Now” is a song from the American Rock Group “Chicago“. This song is a part of their album titled “Chicago X.” (1976) The composition and the vocals are all credited to bass guitarist Peter Cetera. The song was released as a single in the US in July 1976, and it gained success in October, wherein it stayed on the top spot for two whole weeks. It ALSO peaked at Number 1 in the UK and stayed there for three weeks. By analyzing previous data on some reviews, I found that songs which got a good reputation in the US didn’t quite work out in the UK. Seeing that this song reached Number 1 in BOTH the nationalities is really astonishing. For the complete chart performance, click here. There is only one version of this song, viz. the 3 Minute 54 Second album version.

Review: The song starts off with a synthesizer piece, which is followed by the initiation of the  bass and the vocals at the same time (00:09). The vocals – boy oh boy. They just melt you from the inside. They have a different vibe to them – innocent, yet heartfelt. (especially that ‘Ooohoo Baby Please Don’t Go’ part) Well, interesting part is that the song starts off with the chorus itself! The chorus is looped again, only this time the lyrics are quite different. This ‘modified’ chorus goes on to blend with the first verse at 00:52. The pitch of the vocals is distinctively high during the verses, but nonetheless amazing. The tune of the song also changes drastically, but slowly merges with the original again. (from around 01:24) A short, but really well played acoustic guitar solo follows after the first verse, acting as the instrumental interlude. It’s amazing, really. Sometimes, all it takes for a song to click is the simplicity of it. All this song has is a dreamy vocal track, a soft rhythm, and a beautiful interlude. The song then takes a U-turn from 02:01 and repeats everything above in the reverse order – Change in tune, high pitched vocals, new verse, and finally blend to chorus from 02:44. The song actually ends after this chorus, but the duration is prolonged by adding small pieces of acoustic and synthesizer rifts (along with some vocals) after it. The song starts fading at 03:42, and ends at 03:54, leaving you wanting for more.

Rating: I heard this song in 2013, yet I’ve listened to it for almost a thousand times. I’m sure you’ll do the same once you listen to it.  A 10/10 for this Oldie masterpiece!

Audiophileparadise’s Tip: This song is best experienced while sipping a hot cup of mocha, while in the bathroom, or while relaxing/meditating.

Lyrics For “If You Leave Me Now”

Download Link For “If You Leave Me Now” (Right Click on Link, Click “Save Link/Target As”)


Album Art

“If You Leave Me Now” is a song from Chicago’s album titled “Chicago X”